The goal for renovation of this 1990 university chapel was to refresh the interior aesthetic to enhance both Catholic and multi-faith uses, increase natural light within, underscore its campus presence and provide exterior identification as a religious place.

References to historic monuments, classical architecture and ancient symbols appear throughout the visually modernized space. Beyond refreshed aesthetics and improved function, the design places the chapel within a larger trajectory of ritual space: alluding to past, celebrating present, and aspiring toward the future.

Less rigid architectural and symbolic features were added to deemphasize the existing octagonal geometry, creating flourishment and delight against the regimented backdrop.

The symbols for the chapel were selected to balance both Catholic rite and multi-denominational use. Overt symbols are limited, used with restraint and contemporary expression. A prominent mandorla dances asymmetrically under the ceiling. This shape was chosen for its allusion to early church Christology and gothic use, and because the shape speaks to a fuller breadth of religious traditions. The graceful curves of the “almond” contrast the volume’s rigid order. Its asymmetric placement on the ceiling breaks the geometric order and draws patrons inside. Centered in the ceiling, but asymmetric within the mandorla, is an oculus that further increases natural light.