UBICACIÓN
Oficina Diocesana, Farmington NM
MIEMBRO
AÑO
2024
CLIENTE
Diócesis Episcopal de Navajoland
This painting integrates the spiritual traditions of the Navajo people with classical Christian theology. Christ stands as the eternal dawn and extends his hands in welcome, blessing, and healing. The wounds of Crucifixion visible on his hands and feet are a reminder of the suffering, and also the resilience, of the Dine (Navajo.)
Christ wears traditional Navajo dress: white trousers, velvet shirt, and silver and turquoise belt and necklace, with his hair pulled back into the Navajo bun. Behind him are two structures of vital spiritual importance to the People: the ritual hogan and the sheep fold. The red rock of Utah on the left and the brown cliffs of New Mexico on the right embody the ancestral homelands. The frame depicts the four sacred mountains as well as plants, animals, and objects sacred to the Navajo.
The painting hangs in the Gathering Room, a space in the Hozho Center for Healing that is set aside for intimate meetings such as small discussion groups, AA meetings, and gatherings to tell the traditional Winter Stories. Participants discuss Christ of the Diné as part of their path toward healing.
Fine art reproductions in four different sizes are available. All proceeds from sales support the ministries of the Diocese. See margaretadamsparker.com REPRODUCTIONS for details.
"Se resuelve que la 24.ª Convocatoria anual de Dine bikeyah (Navajoland) exprese su profundo y sincero agradecimiento (ahehee ntsaago) por el talento, la humildad y la generosidad del artista, así como por la ofrenda de una obra de arte invaluable. La pintura refleja la relación del pueblo con Jesús, con todos los pueblos y con toda la creación de Dios a través del ministerio de hozhoji bikek ehgoo —el hermoso camino armonioso—, como un símbolo de reconciliación y sanación hacia la plenitud en Jesucristo".
Diócesis Episcopal de Navajoland




FOTOGRAFÍA
Jordyn Raia para Old Town Editions
